Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Self-Portrait oil painting


Self-Portrait
mk128 Oil on canvas 81x64cm 1854-1855
Painting ID::  37705 		Edgar Degas
Self-Portrait
mk128 Oil on canvas 81x64cm 1854-1855
   
   
     
Edgar Degas Lady oil painting


Lady
mk128 Oil on canvas 89x67cm
Painting ID::  37706 		Edgar Degas
Lady
mk128 Oil on canvas 89x67cm
   
   
     
Edgar Degas Portrait oil painting


Portrait
mk128 Oil on canvas 55x41cm
Painting ID::  37707 		Edgar Degas
Portrait
mk128 Oil on canvas 55x41cm
   
   
     
Edgar Degas Portrait of Female oil painting


Portrait of Female
mk128 Oil on canvas 27x22cm
Painting ID::  37708 		Edgar Degas
Portrait of Female
mk128 Oil on canvas 27x22cm
   
   
     
Edgar Degas Belury is family oil painting


Belury is family
mk128 Oil on canvas 200x253cm about 1880-1862
Painting ID::  37709 		Edgar Degas
Belury is family
mk128 Oil on canvas 200x253cm about 1880-1862
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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